25,975 Royalty-Free Audio Tracks for "Midi Files Of Rhythms And Percussion Music"

Simple duple drum pattern: divides two beats into two. Created by Hyacinth (talk) 02:19, 20 July 2009 using Sibelius 5.

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

Bob Dylan's "Lay, Lady, Lay" verse.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Fichier audio de l'image correspondante (Interpolation_musique_Openmusic.png)

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.

C triad open position.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of double whole notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 128th notes. =60.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of half notes. =60.

Hippopotamus rhythm

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quarter notes. =60.

7-36ZB heptachord on C

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 16th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 8th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 64th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 32nd notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of whole notes. =60.

Just augmented sixth on C. 225:128 = 976.54 cents.

Komm, lieber Mai, und mache (KV 596)

Du holde Kunst

Beginning of the adagio of Franz Schubert's piano fantasia D.760 Début de l'adagio de la fantaisie pour piano D.760 de Franz Schubert

Ninth vs added-ninth chord.

Diminished seventh chord as incomplete ninth in C.

Thomas Roseingrave: Gigue.

Johannes Ockeghem: Ma bouche rit.

Johann Sebastian Bach, Kantate 87:6, Tenorarie Ich will leiden, ich will schweigen

Seven steps in A12 equal temperament on middle C. 3(7/12)=1109.47 cents.

Six steps in A12 equal temperament on middle C. 3(6/12)=950.98 cents.

Five steps in A12 equal temperament on middle C. 3(5/12)=792.48 cents.

Four steps in A12 equal temperament on middle C. 3(4/12)=633.99 cents.

Eight steps in A12 equal temperament on middle C. 3(8/12)=1267.97 cents.

Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.

Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.

Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.

Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.

Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.

One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.

Ratio between pitch and length of an organ pipe: octaves.

Double harmonic scale on C

Extended dominants/successive secondary dominants in Chopin's Op. 26, no. 1, mm.62-63. V/ii = V/V/V, V/vi = V/V/V/V.

Insen scale on C

Non-Pythagorean scale on C.

Barbershop bell chord. Pitch bend matches just intervals.

Ausschnitte aus Beethovens Klaviersonate Nr. 31, op. 110, Dritter Satz Excerpts from the third movement of Ludwig van Beethoven's Piano Sonata No. 31, Op. 110

First bars from Ludwig van Beethoven's Piano Sonata No. 31, Op. 110, third movement

Ausschnit aus Beethovens Klaviersonate c-Moll, op. 10/1